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Alabama Department of Corrections

Just Mercy

The Alabama Department of Corrections enters the narrative most directly at the threshold of an execution: its commissioner is among the state officials overseeing the final hours before Herbert Richardson is taken away. The book places that official presence against a wider account of Alabama’s death row, where confinement, access to loved ones, and preparations for execution are exercised as forms of state power. Its evidence also distinguishes Alabama’s system from prisons in other states rather than treating every institution described as part of the same department.

Administrative Presence

As Richardson’s final visit with his wife and family approaches its end, the commissioner of the Alabama Department of Corrections, the warden, and other suited officials wait outside the visitation room. The visit has become painfully difficult to terminate: Richardson’s wife clings to him, and family members are crying. The officials gesture to the visitation officer to end the meeting, then watch the schedule closely. Their presence makes the department visible not through a policy statement but through the administration of a particular moment: a family’s last contact with a condemned man is bounded by institutional time and authority.

Less than thirty minutes before Richardson’s execution, he is held in a cell beside the execution chamber. His body has been shaved in preparation, and the state has made no changes to the electric chair after the disastrous execution of John Evans. The narrative also recalls the botched execution of Horace Dunkins a month earlier, intensifying concern about what the state is about to do. These details establish the department’s setting as one in which execution is not an abstract sentence but a planned physical procedure, carried out despite recent evidence of grave failures.

Death Row and Pretrial Confinement

The book describes Alabama death row as an exceptionally restrictive institution: prisoners spend twenty-three hours a day alone in small cells, with limited opportunities for exercise and visitation, and are held close to the electric chair. This account is sharpened by the case of Walter McMillian and Ralph Myers, who had not been tried or convicted when they were moved from the county jail to death row at Holman Correctional Facility. Sheriff Tom Tate drove them to the prison on August 1, 1987, after threatening McMillian with racial slurs and frightening plans. The transfer occurred less than a month before another scheduled execution.

The placement of the two men there was described as nearly unprecedented. Their pretrial status made the punishment especially stark: they were subjected to death-row restrictions before a jury had determined their guilt. The narrative notes that even condemned prisoners were shocked to see them there. On arrival, McMillian encountered roughly a hundred men sentenced to execution in Alabama since capital punishment was restored in 1975. Most were Black, though nearly 40 percent were white; all were poor. The institution’s population thus brought together racial disparity and shared economic vulnerability, while McMillian’s presence exposed the reach of death-row confinement beyond people already convicted and sentenced.

A Wider Prison Landscape

Other episodes in the book describe correctional institutions beyond Alabama, and their details should not be attributed to the Alabama Department of Corrections. In Georgia, Bryan Stevenson enters the Georgia Diagnostic and Classification Center through barbed wire, a guard tower, dark corridors, and gated passageways to meet a death-row prisoner. In Florida, the account of Ian Manuel describes solitary confinement at Apalachee Correctional Institution as a concrete cell where isolation could be extended after acts of distress or self-harm. At Santa Rosa Correctional Facility, also in Florida, a visit reveals small metal cages inside a secure prison and a wheelchair caught in one cage’s bars.

These accounts provide a comparative view of the book’s prison settings, not evidence that Alabama’s department administered those facilities. Their juxtaposition clarifies the broader narrative’s concern with how prison spaces organize isolation, movement, and access to legal visits. Alabama’s own episodes focus on death-row confinement, pretrial placement at Holman, and the state’s execution preparations; the other institutions show related practices in different jurisdictions.

Institutional Significance

The department’s clearest narrative significance lies in the contrast between administrative procedure and human consequence. Officials manage the timing of Richardson’s last visit while his family struggles to say goodbye; the state prepares his body and the execution chamber even after recent failures; and McMillian and Myers are placed in condemned confinement before trial. In these scenes, prison administration is not merely a backdrop to legal cases. It determines where people are held, how closely they are isolated, and when the state’s authority becomes irreversible.